I agree with what Matt Yglesias says about the Borat movie.
The sketches were much more insightful than the movie because he used to give his subject just enough rope to hang themselves. Whether at the hunting range or at the country-western bar (the important part starts at 3:30), he made everyone feel comfortable enough to say what they really think. In the movie, perhaps necessetated by plot or by ego, it's all about Borat acting like a jerk, which doesn't really tell you much about the country he's supposed to be satirizing. Borat is best when he lets people talk.
That's why the best scene in the movie involves three frat boys in an RV riffing on race and gender relations, not when he's doing the slapstick routine.
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